Write on the element of the
Bildungsroman or “Apprenticeship Novel” in two works. Show how the main
character fundamentally grows toward or away from the “norms” of society – in religion,
moral conduct, sexual mores, attitude towards authority, etc.
Bildungsroman
is defined as a regulated development within the life of the individual is
observed, each of its stages has its own intrinsic value and is at the same
time the basis for a higher stage. The dissonances and conflicts of life appear
as the necessary growth points through which the individual must pass on his
way to maturity and harmony. For example, forcing a character outside of his
norm breaks down his normal demeanor and as a result causes abnormal changes in
him such as heightened tensions within the surrounding environs and of course,
the feelings of isolation and depression. It also drives a person to act
uncharacteristically away from the “norms and standards” of society by not only
the tone of a character’s voice, but also his actions for and contrary to a
certain movement. Holden Caulfield and Jim Dixon, from the Catcher in the Rye and Lucky Jim,
respectively, symbolize how characters grow toward and/or away from maturity.
In
Catcher in the Rye ,
Holden Caulfield assumes that he is an authentic creature in a world “full of
phonies.” With the exceptions of his younger sister Phoebe and his late brother
Allie, everyone to a certain extent is held by some contempt. In addition,
Holden feels betrayed by his teacher for breaking the news of his dismissal
from Pency Prep school in Pennsylvania . Therefore, he did not feel
that anyone could really tell him anything about life because he thought he
knew everything about it. Everyone at the school looked down upon the boy
because,at seventeen, he was still more concerned about “kings in the back row”
as opposed to getting a date for the night and quite possibly a shot at a major
university. Allie’s premature death really shook up the Caulfield family; his
parents have not been able to get through a day without any problems since his
funeral.
Traveling
away from the societal norms, Holden becomes more removed as he carries the
baseball glove Allie once used to write poems inside of, reading aloud, and
even writing Stradlater’s paper about it instead of the prerequisite walls he
had specifically implied. Eventually Stradlater returns from a date with Mary
Jane, the girl Holden has a crush on and becomes very upset about the paper being
of the wrong topic and the tussle ensues. While the other boys continued to
conform into legitimate adults, Holden attempts to avoid growing up by his
childlike tendencies of not having any respect for authority and running away.
Unfortunately for him, running away does nothing but cause more problems. His
religion (or the lack thereof) consists of holidays and family times, both of
which he absolutely detests; at Allie’s funeral, “They all came when Allie
died, the whole g-d stupid bunch of them. I have this one stupid aunt with
halitosis that kept saying how peaceful Allie looked there…(155)”.
Surprisingly,
this is the same boy who could not get laid after calling up a prostitute;
instead, they sat up and talked for some time and she left. To Holden, sex was
something to be avoided because it supposedly grossed him out. His limited
sexual experience included getting felt up by Mr. Antolini, whom is the
perceived homosexual in the story. After being groped, Holden decided at it was
time to get on and find someone else to trust, specifically another adult.
“Lucky
Jim” Dixon
earned his nickname from obviously being lucky. He accidentally stumbled into a
job at one of the red-brick universities with a solid future ahead of him –
only if he can keep his job through the weekend. He also was lucky for
eventually getting the girl and eliminating the bad guy. His impact to the
Bildungsroman was unusual in the manner of how he was the normal man stiffed in
a bourgeois England
society years ago. Here is Jim, preferring to hang out with common folk such as
the bar lady and Margaret versus the company of Professor Welch and his “old
money” traditions of giving a lecture and getting drunk with a bunch of dry
people who know very little outside of their academic catalogs. He has a really
high moral standard of living despite the bastards he is surrounded by daily,
particularly Welch’s son Bertrand and his lovely girlfriend Christine, whom he
cannot get a conversation from for anything.
Yet Christine wants an affair with
the man, proving both alcohol and sex can be two good cover-ups for a long
tract of dirt.
Finding
the work boring, Jim desires more of a challenge and less of an opportunity to
follow the rules; as a result, he loses his job at the university and ends up
writing books for his pal Gore-Urquhart. Even so, Christine is quoted as saying
he is “good at this sort of thing” (133) – meaning Jim has adapted into the
role of a pawn for the common good. In other words, she more or less forces him
‘to take pipe for the team.’ Respect for authority is there until Jim realizes
that he is replaceable; at that point, he rebels against the grain and even
punches out Betrard!
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